Propellerhead Reason Specifications Page 216

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BV512 VOCODER
214
BV512 parameters
On the front panel of the BV512 Vocoder, you will find the following parameters
and displays:
| Parameter | Description
Bypass/On/Off
switch
In Bypass mode, the carrier signal passes through the de-
vice unaffected and the modulator signal is disregarded. In
On mode, the device outputs the vocoded or equalized sig-
nal. Off mode cuts the output, silencing the device.
Level meters Show the signal level of the carrier and modulator signals,
respectively.
Band switch Selects the number of filter bands (4, 8, 16 or 32) or FFT
(512) mode.
Equalizer/Vocoder
switch
Determines whether the BV512 should work as a vocoder
or an equalizer. In Equalizer mode, the Modulator input is
disregarded (see page 213).
Modulation level
display
The upper display shows the spectrum of the modulator
signal.
Frequency band
level adjust
The lower display allows you to adjust the level of each fil-
ter frequency band, by clicking and dragging the corre-
sponding bar. In vocoder mode this affects the vocoded
sound. In equalizer mode, this is where you cut or boost
frequencies. To reset a band to ±0 dB, press [Command]
(Mac) or [Ctrl] (Win) and click on its bar in the display. To
reset all bands, select “Reset Band Levels” from the device
context menu.
Note: when FFT (512) mode is selected, each of the 32
bars in the display corresponds to several frequency
bands, with bars to the right in the display controlling pro-
gressively more bands (due to the FFT bands being linearly
distributed over the frequency range).
Hold button Clicking this button “freezes” the current filter settings.
While the button is lit, the modulator signal doesn’t affect
the sound - the carrier signal is filtered with the settings as
they were the moment you activated Hold. Click the button
again to turn off Hold. Hold is also automatically reset
(turned off) when you stop sequencer playback - just like
the pitch bend and modulation wheels on synth devices.
This function can be controlled via CV or MIDI, for sample
and hold-like effects.
The Hold button is not available in Equalizer mode.
Attack This is a global attack time control, affecting all envelope
followers (see page 210). Normally you probably want this
set to zero, to make the vocoder react as quick as possible.
Raising the Attack time can be useful for “smearing”
sounds, creating pads, etc.
Not available in Equalizer mode.
Decay Similarly, this controls the decay time for all envelope fol-
lowers, i.e. how quick the filter band levels drop. Adjust this
according to taste and context.
Not available in Equalizer mode.
Shift Shifts the carrier filters up or down in frequency, drastically
changing the character of the vocoded (or equalized)
sound. This parameter can be controlled via CV, for
phaser-like sweeps and special effects.
HF Emph
(High Frequency
Emphasis)
Boosts the high frequencies in the carrier signal. This is
sometimes desired to get a clearer vocoded sound. The
reason is that a carrier signal should theoretically contain
roughly equal energies in all frequency ranges for best re-
sults - in a typical synth sound the high frequencies are of-
ten weaker than the low frequencies. Raising the HF Emph
control will rectify this.
Not available in Equalizer mode.
Dry/Wet Determines the balance between modulator sound (dry)
and vocoded sound (wet). To get the pure vocoder sound,
set this to wet (turned fully right).
Not available in Equalizer mode.
| Parameter | Description
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