Propellerhead ReCycle Specifications download pdf (Page 86)

EXAMPLE APPLICATIONS

Slicing for Editing

If your main goal is to edit the loop, rather than changing its tempo, you may take

a slightly different approach compared with slicing for tempo changes:

1. Set things up as in the previous example.

If you activate “Show Grid” on the View menu, finding exact positions be-

comes much easier.

2. Work on the slices with the Hide and Lock tools until you have ap-

proximately one slice per eighth note, sixteenth note or whatever

you need, depending on how detailed an edit you want to do.

If a slice plays more than one sound, please remember that you won’t be

able to edit these two sounds independently. There are occasions when this

will be perfectly OK though, for example when you just want to shift the or-

der of the beats around in the loop.

3. Proceed as from point 5 in the previous example.

4. In the MIDI Sequencer, open the MIDI File for editing.

When you move slices around, make sure they keep their relative position to

the beats, eighth notes etc., to maintain the integrity of the timing in the

groove.

Using Silence Selected

Even if you don’t want to cut up a loop in slices, you can still use ReCycle to

send different sounds in the loop to different outputs on your sampler to apply

processing to only one drum in a loop for example. The example below assumes

you only want to pick out one sound, but the same technique can of course be

applied to separate as many sounds as you need.

1. Open or Receive the sample.

2. Raise the Sensitivity until a lot of slices appear.

3. Activate playback and move the loop points until you find a good

loop.

4. Set the Time Signature and length (Bars/Beats) to whatever the

length of the loop.

The Tempo gets calculated.

5. Click the Preview toggle button to enter Preview mode.

6. Make sure “Silence Selected” and “Transmit as One Sample” are

activated (ticked) on the Process menu.

7. Work on the slices until they play one sound each when you click on

them.

8. Select all slice markers which play the same sound, for example the

snare drum.

Play it back to check that all snares are silent.

9. Select your actual Sampler from the sampler menu and select

Transmit or MIDI File+Transmit, or simplyexport the file in the for-

mat of your choice using the Export dialog or save the file.

The MIDI File you get will contain one event which plays the entire loop at

the calculated tempo.

10. With the selection still set up as before, select “Invert Selection”

from the Edit menu.

Now all sounds that are not snares are selected.

11. Transmit the sample again to the sampler, but under another name.

12. Set up the sampler and sequencer so that the two samples are

played back at the same time. Also set up the sounds to one output

each.

They will together recreate the loop as it was, but the snare will be separated

to its own output, which means that you have independent control over its

volume, that you can process it separately etc.

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Yamaha 2 EZ-AG Instrukcja Użytkownika (36 strony)

Marka: Yamaha | Kategoria: Musical Instruments | Rozmiar: 1.10 MB |

Spis treści

PLEASE KEEP THIS MANUAL

SPECIAL MESSAGE SECTION

FCC INFORMATION (U.S.A.)

PRECAUTIONS

Maintenance

Handling caution

Saving data

Main Features

Contents

Control Section

Setting Up

Connections

Playing the EZ-AG

1 Press the [SOUND] button

2 Select a sound number

1 Press the [CAPO] button

Playing the Songs

1 Press the [TEMPO] button

Adjust the Balance

Play Along With the Songs

Connecting To MIDI Devices

Connecting To a Computer

2 Set the clock as required

Troubleshooting

MIDI Implementation Chart

HINWEIS:

REMARQUE :

Song Chord Chart

Commonly-used Chords

Specifications

Limited Warranty

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